Spread across brass, percussion, strings, and woodwinds. From bombastic bass drums and huge timpani rolls to detailed auxiliary percussion like crotales, chimes and steel plates, you can cover virtually all your orchestral percussion with this one section. They’re best suited to woodwind ensemble passages and thickening up key moments in the strings and brass.Īll the odds and ends you can ask for in drums, metals, woods, cymbals, and gongs. No section of the orchestra has such a diverse set of tone colors as the woodwinds, and they’re all subtle enough that they blend extremely well with the string section (they can also double the brass, but in a live setting, the brass section often overpowers the woodwinds). And when you’re looking to create either whimsy or absolute terror, the Wagner tubas will lay all the groundwork you need. For softer, more lyrical moments, the French horns will become your best friend. They’re more than potent enough when you need to add some heat to your productions, but they’re at their best when they have room to breathe and you gently ride the expression (CC11).īrass - Dynamic, bright, and bold, you can use the brass section to pump up the strongest moments with trumpet and trombone marcato, crescendos, and fortepianos. Strings - Expressive, buttery and incredibly smooth, the strings shine when you need to capture delicacy and inner strength. If you’re looking for warmth and the ability to easily manipulate nearly any aspect of the instruments’ performances to your heart’s content, Symphonic Orchestra gives you every tool you need in one place. Every major adjustable feature can be controlled from a single interface, including reverb, mic positions, filtering, and section volume.
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This all but eliminates the need for artificial reverb, drastically cutting down on the amount of time you spend getting your ambience settings just right. By selecting different mic positions, you can mix these sounds together to create virtually any placement or level of depth desired. To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions: close, stage (conductor‘s position) and hall. You can create convincing orchestral performances with very little time and effort, and the natural ambience will make it feel as though the instruments are playing back live. Every detail of the recording hall is captured with incredible precision and detail, adding realism and shimmer to every note. Johnson, the EASTWEST/QUANTUM LEAP SYMPHONIC ORCHESTRA was honored with Sound On Sound's Reader's Choice Award an unprecedented 3-times, and the very first orchestral collection to be recorded in a "state of the art" concert hall where orchestras mainly perform. Recorded by 11-time Grammy nominated classical recording engineer Prof. MULTI-AWARD-WINNING COLLECTION OF ORCHESTRAL FAVORITES
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#East west symphonic choirs free trial plus
Over 192GB of material (in the Platinum Plus version).Intelligent release trail engine that automatically follows the volume of note-on velocities.Intelligent Performance section including Portamento, Repetition, Legato, and Round Robin Reset.Created by award-winning sounds producers Doug Rogers and Nick Phoenix and recorded by Grammy-nominated classical recording engineer Prof.The best-selling and most awarded orchestral collection ever created.